![]() Public Performance License : A Public Performance License grants permission to play a song in a public place or transmit the track to the public by way of radio broadcast, tv broadcast, and/or the internet. To use this track, the Licensee must obtain the Sync License from Townsend's publisher as well as a Master Use License from Sencit, the owner of the specific recording. For example, Sencit created a trailer music version of Behind Blue Eyes, written by Pete Townsend of The Who. While the owner of the published material remains the same for every recording of a composition, the owner of the master rights changes depending on which recording is being used. Master Use License: In addition to obtaining a Synchronization License for the underlying composition, you'll likely need a Master Use License, which grants the rights to a specific sound recording. ![]() And most importantly, a Sync License only covers the underlying composition, not the recording itself. These licenses are usually procured by film studios, television networks, production companies, visual media content creators on platforms like YouTube, and even film students. Synchronization License (aka Sync or Synch ): A synchronization license grants the right to use a specific composition in connection with one or more categories of visual media (film, TV shows, commercials, video games and movie trailers, to name a few). There are generally two licenses required to use a particular song in connection with visual media. The first step to clearing the rights for a piece of music or sound is understanding what type of license you’re going to need. Sound Recordings and Compositions function as two sides of the same musical coin. The two most common types of copyrights are sound recording ( labels & artists) and composition (publishers and songwriters). Typical copyright owners include Labels, Publishers, Music Libraries, Artists and Songwriters. In the case of mechanical licenses, the fee is usually fixed, or compulsory while other licenses - like Synchronization or Master Use licenses - are usually negotiated by the copyright owner and the licensee. Music licenses almost always have a fee associated with them. A music license is an agreement between the owner of the material (the “Licensor”) and the party seeking permission to use the material (the “Licensee”). Music Licensing is the process of acquiring rights to use copyrighted audio or compositions. Today, we’ll cover the basic terms and concepts of music licensing to help you determine which particular license is right for your project. Having worked for years in trailer audio, I’ve picked up a few tricks and tips along the way… and I’d like to share them with you over the course of the next few posts. It can be tedious, tiresome, and time-consuming, but with a little guidance and the right resources, the process becomes a lot more user-friendly. ![]() That’s right, we’re talking about music licensing. The right cue is simply magic.īut with the perfect cue comes a process that is far less thrilling and intuitive. ![]() New exciting themes emerge, and the material comes alive like never before. ![]() The creative issues that have plagued your project for months seem to suddenly fix themselves. The right song or piece of sound design can create instant cohesiveness and lend structure to your project. Anyone who’s ever edited, produced, or music supervised a movie trailer knows the power of a great cue. ![]()
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